Vol. 29, No. 2 April 2021
Table of Contents
Editorial Preface
Lisa Outar
Authorizing the Hinterlands? Forms of History and Wilson Harris’s Jonestown
J. Dillon Brown
Caribbean Basins: Containing the Im/material in Kei Miller’s “Quashie’s Verse” and Olive Senior’s “Gourd”
Samantha Stephens
An Unsung History: Rereading David Chariandy’s Soucouyant through Sound
Treviene A. Harris
Fugitive Form in Patrick Chamoiseau’s L’esclave vieil homme et le molosse
Xavier Lee
Women Loving Women in the Erotic-Pornographic Binary: Sex and Intimacy via Audre Lorde in Nicole Dennis-Benn’s Here Comes the Sun
Janelle Rodriques
The Harder They Cum, The Harder Babylon Fall: The Queer Utopian Poetics of Marlon James’s A Brief History of Seven Killings
Kedon Willis
Re-articulations of the Flying Symbolic: Flying and Falling in Edwidge Danticat’s Krik? Krak! and “Without Inspection”
Cole A. Carvour
An Anthurium Blooms: An Interview with Dr. Sandra Pouchet Paquet
Miguel Vasquez
Book Reviews
Anthony Kellman, Tracing Jaja
Bénédicte Ledent
Kinitra D. Brooks, Searching for Sycorax: Black Women’s Hauntings of Contemporary Horror
Paula Morgan
Kei Miller, In Nearby Bushes
Ian Bethell Bennett
Notes on Contributors