Vol 23. , No. 1 & 2, April/November 2015
Table of Contents
“I Married My Mother”: Jamaica Kincaid’s See Now Then
Daryl Cumber Dance
On Scanning Louise Bennett Seriously
Ben Etherington
The Interplay of Political and Existential Freedom in Earl Lovelace’s The Dragon Can’t Dance
Tohru Nakamura
Pamela Mordecai’s Poetry: Some Questions for Further Consideration
Stephanie McKenzie
“Your journey, even when bumpy,/will be sweet”: Jamaica in Kei Miller’s A Light Song of Light
Bartosz Wójcik
“Our words spoken among us, in fragments”: Austin Clarke’s Aesthetics of Crossing
Paul Barrett
Sounding Out Spirit Thievery in Erna Brodber’s Myal
Anne Margaret Castro
Reading the Critical Pastoral in Lovelace’s Salt and Roffey’s White Woman on the Green Bicycle
Erin Fehskens
Book Reviews
Jean Goulbourne
Parable of the Mangoes.
Aisha T. Spencer.
Marlon James
A Brief History of Seven Killings
Philip Nanton
Vladimir Lucien
Sounding Ground
Laurence A. Briener
Notes on Contributors
