Books Currently Available for Review
(This is a partial list of books available for review, but we also welcome reviews of other recent fiction or non-fiction books in the field of Caribbean literature.)
- Njelle Hamilton, Phonographic Memories: Popular music and the Contemporary Caribbean Novel Rutgers University Press (2019)
- Lissa Paul, Eliza Fenwick: Early Modern Feminist, University of Virginia Press (2019)
- Nadege T. Clitandre, Edwidge Danticat: The Haitian Diasporic Imaginary, University of Virginia Press (2018)
- Juanita Cox, In the Eye of the Storm: Edgar Mittelholzer 1909-2009: Critical Perspectives, Peepal Tree Press (2017)
- Jak Peake, Between the Bocas: A Literary History of Western Trinidad, Liverpool University Press (2017)
- Colin A. Palmer, Inward Yearnings: Jamaica’s Journey to Nationhood, UWI Press (2017)
- Richard McGuire, Parallel Visions, Confluent Worlds: Five Comparative Postcolonial Studies of Caribbean and Irish Novels in English, 1925-1965, UWI Press (2017)
- Gabrielle Hosein and Lisa Outar, eds., Indo–Caribbean Feminist Thought: Genealogies, Theories, Enactments, Palgrave Macmillan (2016)
- Yanique Hume and Aaron Kamugisha, eds., Caribbean Popular Culture: Power, Politics and Performance, Ian Randle Press (2016)
- Milagros Ricourt, The Dominican Racial Imaginary: Surveying the Landscape of Race and Nation in Hispaniola, Rutgers University Press (2016)
- Paulette A. Ramsay, Afro-Mexican Constructions of Diaspora, Gender, Identity and Nation, UWI Press (2016)
- Sharon Milagro Marshall, Tell My Mother I Gone to Cuba: Stories of Early Twentieth-Century Migration from Barbados, UWI Press (2016)
- Elena Machado Sáez, Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction, University of Virginia Press (2015)
- Cristina Herrera and Paula Sanmartin, eds., Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women’s Writing, Demeter Press (2015)
- Winfried Siemerling, The Black Atlantic Reconsidered: Black Canadian Writing, Cultural History and the Presence of the Past, McGill-Queen’s University Press (2015)
- J. Dillon Brown, Migrant Modernism: Postwar London and the West Indian Novel, University of Virginia Press (2013)
- Barbara Lalla, Nicole Roberts, Elizabeth Walcott-Hackshaw, Valerie Youssef, eds., Methods in Caribbean Research: Literature, Discourse, Culture, UWI Press (2013)
- Jacqueline Bishop, The Gymnast and Other Positions: Stories, Essays, Interviews, Peepal Tree Press (2019)
- Breanne Mc Ivor, Where There Are Monsters, Peepal Tree Press (2019)
- Kei Miller, In Nearby Bushes, Carcanet Press (2019)
- Roger Robinson, A Portable Paradise, Peepal Tree Press (2019)
- Lasana M. Sekou, Hurricane Protocol, House of Nehesi (2019)
- Marcia Douglas, The Marvelous Equations of the Dread, Peepal Tree Press (2016)
- Kevin Jared Hosein, The Repenters, Peepal Tree Press (2016)
- Anthony Kellman, Tracing Ja Ja, Peepal Tree Press (2016)
- Kei Miller, Augustown, Weidenfeld and Nicolson (2016)
- Sharon Millar, The Whale House, Peepal Tree Press (2016)
- Diana McCaulay, Gone to Drift, Papillote Press (2016)
- Paulette Ramsay, Star Apple Blue and Avocado Green, Ian Randle Press (2016)
- Safiya Sinclair, Cannibal, University of Nebraska Press (2016)
- Derek Walcott and Peter Doig, Morning, Paraffin, Farrar, Straus and Giroux (2016)
General Guidelines for Book Reviews
Reviews should generally be submitted 6-8 weeks after you receive the book. If this time period is unrealistic for your own schedule, please communicate this to the Review Editor. The book is yours once you submit a review.
Format for reviews
Please use Baskerville 12 point font, double spaced. Book review headings should appear as follows: author(s), title, publisher, date of publication, total number of pages. Please separate preliminary pages from main text pages, e.g. xii + 250 pp.
In your first reference, refer to author by given name(s) or initials, and subsequently by surname. Please avoid using titles and honorifics (Prof., Dr., Sir). When using quotations, page references should be in parentheses. Please use endnotes instead of footnotes. If you refer to another work, please include a Works Cited list with the full bibliographical data conforming to the MLA Handbook, 8th Ed. Please also see JWIL’s “House Style” guidelines for additional instructions.
To avoid delays, please submit attachments as Microsoft Word Files or RTF (rich text format) only. PDF files will NOT be accepted.
For reviews of literary texts – no longer than 1, 000 words.
For reviews of critical, biographical and theoretical studies – no longer than 1, 500 words.
Reviews of creative works should give some overview of the text—context, story, themes, how it fits into the author’s oeuvre. Reviews of critical, theoretical or biographical studies should contain three types of information: an overview, an evaluation and a recommendation. In evaluating the work, please summarize the argument and mention the features that make the work distinctive. You should also say something brief about the author(s) and what expertise is brought to the subject. It would be useful to provide a description of the scholarly field and overview of the major discourses with which the text engages. For reviews of edited collections, please summarize the essays that make up the collection or at least a sample from each section.
- Say what are the work’s strengths, its weaknesses and its omissions.
- Do not structure your review as a chapter by chapter analysis. Instead, focus on the book as a whole, taking care to highlight particular aspects that illustrate your points.
- Relate the work under review to others dealing with the same topic.
- Where works are illustrated, comment on the clarity and relevance of these illustrations.
- If relevant, indicate the target reader to whom the work would appeal.
- At the end of your review, please indicate your full name and affiliation.
We thank you very much for your willingness to review a book and for your interest in the Journal of West Indian Literature (JWIL). Queries may be directed to the JWIL Book Review Editor at firstname.lastname@example.org