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Caribbean Literary Heritage “Ten Questions” for Caribbean Writers

The UK-based Caribbean Literary Heritage project is steadily building its archive of “Ten Questions” interviews, in which Caribbean authors submit responses to a standard set of questions on Caribbean literature and their own reading and writing histories. Entries posted to date include responses by Karen Lord, Sharon Millar, Merle Collins, Caryl Phillips, Thomas Glave, Lawrence Scott, Tessa McWatt, Rosamond S. King, Monique Roffey, John Robert Lee, Pamela Mordecai, Kevin Jared Hossein, Geoffrey Philp, Joanne C. Hillhouse, and Shara McCallum.

Find the project here.

CJE cfp – “Poetry Beyond Borders”

The editors of the Caribbean Journal of Education invite submissions for a special issue entitled “Poetry Beyond Borders,” to be guest-edited by Dr. Aisha Spencer (UWI), Dr. Schontal Moore (UWI), and Dr. Georgie Horrell (U of Cambridge). The issue is slated to appear in June 2019.

Abstracts (no longer than 250 words) should be submitted by September 3, 2018 to mj.ude.anomiwu@sbupeos. For more details, click on the image below.

 

Charles Carnegie’s Kingston essays in Public Opinion

Charles Carnegie, professor of anthropology at Bates College (Maine, USA), is publishing a series of essays on Kingston on the online magazine Public Opinion. An elegant amalgam of ethnographic observation, historical reflection, and critical advocacy, Professor Carnegie’s writing brings Kingston to life for far-away audiences, and reminds those closer to home of its wonders as well as its challenges, and what both say about the people who circulate through its streets and public spaces every day.

Kingston Vibes (publ. 5/18/2018)

Walk-Foot People Matter, Pt. 1 (publ. 5/31/2018)

Walk-Foot People Matter, Pt. 2 (publ. 6/14/2018)

Walking Kingston (publ. 6/28/2018)

Reclaiming Kingston, Reclaiming Self (publ. 7/13/2018)

 

 

CFP: Caribbean Science/Speculative Fiction Symposium

November 23, 2018
UWI Cave Hill, Barbados

CFP deadline: June 29, 2018

 

From the organizers:

The Department of Languages,  Linguistics and Literatures at the University of the West Indies Cave Hill is inviting papers that explore themes related to Caribbean speculative fiction. The last two decades have seen an increase in the publication of SF works by Caribbean writers who bring a Caribbean sensibility to a genre that has been steadily gaining global academic recognition. These works encourage a re-examination of what constitutes Caribbean literature. They also challenge us to examine the nature of Caribbean SF, to ask how it differs from other geo-political/cultural writings in the genre, and whether or not writing in this genre helps us to understand the Caribbean’s presence on the global stage.

Abstracts of 250 words and a brief biographical note should be sent by Friday, 29 June 2018 to:

  • Andrew Armstrong: ude.iwu.llihevac@gnortsmra.werdna

  • Richard Clarke: ude.iwu.llihevac@ekralc.drahcir

  • Nicola Hunte: ude.iwu.llihevac@etnuh.alocin

  • Debra Providence: ude.iwu.llihevac@ecnedivorp.arbed

For more details, see Caribbean Commons post here.

2018 OCM Bocas Prize winner: Jennifer Rahim

The overall 2018 OCM Bocas Prize for Caribbean Literature was won by Trinidadian Jennifer Rahim’s short-story collection Curfew Chronicles (Peepal Tree, Aug 2017, 208pp). The award was announced on 28 April at the NGC Bocas Lit Fest in Port of Spain.

Also on the shortlist – and winner of the Poetry prize – was Shara McCallum’s collection Madwoman (Peepal Tree, Jan 2017, 72pp).

The judges declined to name a non-fiction winner for 2018.

For more information, see the announcement here.

Caribbean Meridians conference, Australia, February 2019 – CFP

AUSTRALIAN ASSOCATION FOR CARIBBEAN STUDIES

Caribbean Meridians

Female Orphan School, Parramatta South Campus
Western Sydney University, February 7-9, 2019

Confirmed Speakers:
Alexis Wright (University of Melbourne)
Michael Bucknor (University of the West Indies at Mona)

from the organizers:

AACS conferences are interdisciplinary and papers on all topics are considered, including from the natural sciences. Recent conferences have taken the themes of ‘Land and Water’ (Wollongong, 2015) and ‘Interiors’ (Canberra, 2017). For 2019 we are encouraging presenters to think about the ‘meridians’ that connect the peoples, cultures, ecologies, and histories of the Caribbean with those of other places around the globe.

Studies of Caribbean history and culture arguably have always been ‘transnational’, or at least oriented to thinking about the forces beyond the Caribbean that have shaped it. Most often this has been a matter of thinking about the relations between the Caribbean and the countries from whence its inhabitants largely have been drawn – especially Africa and Europe – as well as to the regional hegemon, the USA. The concept of the ‘meridian’ is chosen to encourage presenters to think about the lines of connection that spread from the Caribbean out to the world as whole. These encompass the Atlantic world but they also extend across the Western hemisphere and the Pacific to Asia, Oceania, and beyond. ‘Caribbean meridians’ encourage us to look for unusual, perhaps unexpected lines of connection or relation such as those that have spread south to Australia (‘meridian’ once meant ‘south’), as well as ‘South-South’ relations where ‘South’ refers to the ‘global South’. The idea of the meridian also reflects back on the Caribbean, which is criss-crossed with intra-regional connections that can escape scholarly notice.

Presenters might also like to think about the way in which the term ‘Caribbean’ affects the term ‘meridian’. The latter tends to evoke the straight lines of longitude that have come to govern relations of time and space. How do Caribbean perspectives inflect and alter conceptions of time, space, and/or world? How have the peoples of the Caribbean imagined the world and the kinds of connections and affiliations that bind it? Are there specifically Caribbean meridians?

Abstracts on all subjects and from all disciplines within the field of Caribbean studies are welcome. The primary criterion for selection will be the quality of the abstract, not its relevance to the conference theme. Please send abstracts of no more than 200 words along with a short title and two-line biographical note to moc.liamg@9102fnocscaa by September 14, 2018.

Review of Rachel Manley’s first novel

Rachel Manley’s new novel, The Black Peacock, appeared in December 2017 from Cormorant Books. Ms. Manley has published extensively as a poet and memoirist; this is her first work of fiction. Quill and Quire says of the novel

Manley slowly unfurls a somewhat labyrinthine narrative, revealing the couple’s shared history – and secrets – in jerks and starts…. Otherwise, The Black Peacock tells an engaging story of a love affair in a state of suspended animation. Themes of grief, family, and the writing life course through a novel in which “living is just a long corridor of echoes.”

Read the full review here.

Collection of Mittelholzer’s early writings appears from Peepal Tree

Creole Chips and Other Writings: Short Fiction, Poetry, Drama and Essays by Edgar Mittelholzer, edited by Juanita Cox, February 2018. From the publisher’s website:

This compendium of Edgar Mittelholzer’s mostly uncollected writings brings together his early collection of sketches of Georgetown life, Creole Chips, his speculative novella, The Adding Machine, twenty-four short stories, five plays, his published and unpublished poetry and essays covering travel, literature and his personal beliefs. This is mostly work written before Mittelholzer came to England in search of publishing opportunities. It shows a writer still deeply concerned with the Caribbean, a writer of playful humour who is committed to entertain, not to preach as some of his later work tends to do, and a writer who wrote in a variety of genres (speculative fiction, crime, and the Gothic) that contemporary Caribbean writers are rediscovering.

See the full announcement here.