Monthly Archives: March 2022

Alecia McKenzie’s Twitter Residency on the “Disco of Dub” (March 28-April 4, 2022)

Join us from March 28-April 4 for a JWIL Twitter residency by writer Alecia McKenzie. McKenzie’s residency will explore “The Disco of Dub – as in discothèque, library, discography.”

The word “disco” comes from “discothèque”/discoteca – which used to mean “a record library” before the word started being used for “nightclub”, etc. This residency will explore McKenzie’s  “discoteca” or collection of dub recordings. She will be tweeting about various recordings, while referencing her co-authored article “Dub Poetry’s Global Impact, Forty Years On” published in the  recent JWIL special issue on Dub Poetry. The posts will cover works by Linton Kwesi Johnson, Jean “Binta” Breeze, and others.

Alecia McKenzie is a Jamaican writer and editor currently based in France. She is the author of six books and has written on culture and the arts for a global news agency and various publications. Her most recent novel is A Million Aunties. She tweets at @mckenzie_ale.

Evelyn O’Callaghan and Lisa Outar’s Twitter Residency on JWIL’s history (March 7-21, 2022)

This year marks 36 years of the Journal of West Indian Literature‘s life as a regional University of the West Indies-led Caribbeanist project invested in highlighting and critically examining the prolific literary production of the Caribbean. This two-part Twitter residency featuring, first, immediate past JWIL editor-in-chief, Evelyn O’Callaghan, and, then, current JWIL editor-in-chief, Lisa Outar, reflected both on the Journal’s past and its current life as a leading site for promoting scholarship on Caribbean literature both in the region and globally. From March 7 to March 21, O’Callaghan and Outar offered archival records and memories of the Journal’s intertwined beginnings with the West Indian Literature conference, stories of the pioneers of Caribbean literary studies who helped create and support the publication at a time when publishing work on the region in the region was a rarity as well as reflections on the current work the Journal is doing to promote Caribbean literary studies and the rich work of region-based Caribbean artists.

Evelyn O’Callaghan, Emeritus Professor of West Indian literature, Department of Language, Linguistics and Literature at the University of the West Indies, Barbados campus, is recently retired. She has published on West Indian literature, particularly on women’s writing, early Caribbean narratives and, more recently, ecocritical readings of Caribbean landscapes in visual and scribal texts.

Lisa Outar is an independent scholar/editor who publishes in the areas of Indo-Caribbean literature, feminist writing and the connections between the Caribbean and other sites of the indentureship diaspora. She is co-editor of Indo-Caribbean Feminist Thought: Genealogies, Theories, Enactments.